5/28/2023 0 Comments Color grading in resolveThe main benefits of the new IPP2 color pipeline from RED are easier color grading process and a much better compatibility with the HDR workflows. The 3G represents the mapping of 18% mid grey to 1/3, and the 10 represents the extent of the log curve encoding a linear light value up to 10 stops above mid grey before the curve reaches an output value of 1.0. Log3G10 is a log curve specifically designed to encode camera data in REDWideGamutRGB color space for subsequent color grading and transformation to HDR, SDR or any other encodings. This simplifies the workflow tremendously. This means RED is now using one color space rather than infinite number of color spaces differing upon the characteristics of the camera and the development settings of the raw information. Those of you who remember the days of the CameraRGB and are familiar with it, can think of the new color space from RED as CameraRGB albeit standardised. Essentially REDWideGamut is a standardised CameraRGB color space. REDWideGamutRGB is a camera color space designed to encompass all colors a RED camera can generate without clipping. Here’s a quick recap of the basic things you should know about IPP2. If you haven’t read our previous tutorial, I suggest you do so before reading this tutorial as some of the basic concepts of working in a wide gamut RGB color space are covered there and we won’t go into great detail here again. So, without further ado, Let’s get into it. Since our last tutorial on how to correctly color grade RED IPP2 footage in Premiere Pro we got a lot of emails from you guys asking for a tutorial how to do the same in DaVinci Resolve.
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